April 3, 2005

Nineteenth-Century Scrapbook

Caton convinced me to go “estate-saling” yesterday — I was not going to, having so much to do, but we had haircuts at two and a birthday party to attend at four so it seemed like the day was shot, anyway. In the end, it was a good thing because we picked up a fabulous scrapbook with numerous pasted items as well as loose items (read: available for thesis exhibition purposes!) all dating from between the 1880s and the 1910s. It was entertaining trying to get inside the head of the paster. The clippings are almost all from newspapers of the time (including some from The Oregonian — we guess that means that the scrapbook was assembled in Portland, though there is other evidence of Chicago and Boston). The subject matter consists of sentimental poems and songs, articles about the Spanish-American War and World War I, and, best of all, reports of amusing and/or scandalous events that seemed to be collected solely for their entertainment value.

A sample follows. For those of particularly delicate political sensibilities, keep in mind that this was a product of its time.

AN ELECTRIC LIGHT WIRE DOWN.


Peculiar Actions of People Who Tried to Pick It Up.

The Emerson Street wire of the Weston Electric Lighting Company parted last evening opposite the Hawes Place Church, South Boston, and for an hour made things lively on that street. A Chinaman named Joe Tang, an East Broadway laundryman, lifted the wire as he passed along, and turned a flipflap for his meddling. He shouted out “Demme thing blokey,” and flew through the street, with his pigtail sticking out like a billiard cue. A man came by lazily, with a can of lager beer in one hand. He was sent whizzing to the other sidewalk, while the can shot off like a comet with the beer for a tail. The writer doubted these facts and tested the power of the wire. After picking himself up, he was ready to believe anything. Lieut. Merrick, after the case was reported to him, detailed an officer to look after the dangerous line, as it was powerful enough to kill, had anyone grasped it strongly. After much trouble, it was lifted over a fence, and the owners of the wire were notified, as there was danger of it doing fatal injury or setting fire. The officer received two shocks while handling the wire with sticks.

Late Nineteenth/Early Twentieth Century Scrapbook Scrapbook Clipping: An Electric Light Wire Down

Yeah, What He Said

And one last bit (for now) from Cabinets of Curiosities: Four Artists, Four Visions — instructions for visitors to that exhibition could almost have been written for mine.

These are “novels,” or more appropriately “autobiographies” in visual form, and an attempt to identify each object or justify its use will be as sterile as reading a novel one sentence at a time. Read these pieces for the effect the juxtaposition of objects may produce. Consider this exhibition as an excursion into the world of real things, objects directly seen, without amplification or intermediation, other than that of the artist’s hand and eye as each artist has created and guided the placement and interrelationship of the things contained within these small spaces.

— Thomas H. Garver in Cabinets of Curiosities: Four Artists, Four Visions. University of Wisconsin-Madison, 2000. p. 53

Synchronicity

I requested about 15 books — books that seemed like they would have relevance to my project — through interlibrary loan weeks ago and they continue dribble in at this late date. I picked one of them up on Friday: Cabinets of Curiosities: Four Artists, Four Visions. All I knew was that it was associated with an exhibit at the Elvejhem Museum of Art in Madison, Wisconsin. The exhibit featured the work of four contemporary artists who used cabinets of curiosities — or wunderkammer — as their inspiration and point of departure. I started and finished it last night before going to sleep. It turns out to the most pertinent of all my sources so far. The contributing essayists put into words much of what had been swimming around in my head not only during this thesis project, but also during my whole art school experience. One of the artists even shares startling similarities to my own background and interests. Read the rest of this entry »

There’s No There There

This is a bit from the aforementioned Cabinets of Curiosities: Four Artists, Four Visions that nicely sums up my dissatisfaction with being only a digital designer. It also supports one of the central assertions of my thesis: touching and experiencing objects physically “intensifies their meaning.” The interesting thing about this essay is that it addresses how and why artists collect and relate to their collections. I have only thought of audiences for collections in terms of historians vs. the general public — it didn’t occur to me that the experience I was desiring for my project was an artistic one, a creative one yes, but, well anyway… Read the rest of this entry »

April 1, 2005

Silver(ed) Knobs

The title makes me think of Christmas. :)

I experimented with adding “silver” leaf to some small, unfinished wooden knobs that I purchased at the hardware store today. After sealing them with a layer of gesso, I painted them Alizarin Crimson — the perfect color to match the fabric of the box — and then put silver leaf over that. (I learned in my Old Masters class that an undercolor is important — for one thing, the leaf often cracks and crazes, so you want an appropriate color to show through when that happens. It also gives the leaf a little more “life”).

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